This exhibition features the work of Wheaton’s senior studio art majors. The exhibition runs April 24–May 11, 2019.

This exhibition features the work of Wheaton’s senior studio art majors.

Two exhibitions celebrate Andrew K. Howard’s 43-year tenure as Professor of Art at Wheaton College. Howard’s landscape photographs of Alaska and the American Southwest are exhibited alongside the works of his former students—Robin Bowman, Liz Corman, Adam Ekberg, Rebecca Hale, Jenna Lee Mason, and Danielle Mourning—Wheaton alumni from class years 1982–2008.

Abena Koomson-Davis, Musical Director of the Resistance Revival Chorus, will bring the most beloved works of African American poetry into song with Wheaton’s own Voices United to Jam and other students for the whole community.  Discussion with Provost Renée T. White, Ms. Koomson-Davis, Olivia Bennisan ’19 (SGA President) and Candice Appiah ’21 (ICB Chair) to follow the performance.  All are invited to a special dinner in the Chapel Basement afterwards.

Filmmaker Frederick Wiseman will be on campus on October, 3, 2018 at 5:00 pm in the Holman Room. We invite the campus community to view his award-winning documentary, EX LIBRIS at one of the four scheduled show times on campus.
EX LIBRIS – The New York Public Library, goes behind the scenes of one of the greatest knowledge institutions in the world and reveals it as a place of welcome, cultural exchange and learning. With 92 branches throughout Manhattan, the Bronx and Staten Island, the library is committed to being a resource for all the inhabitants of this multifaceted and cosmopolitan city, and beyond. The New York Public Library exemplifies the deeply rooted American belief in the individual’s right to know and be informed. It is one of the most democratic institutions in America – everyone is welcome. Sponsored by The Andrew Mellon Foundation

This exhibition highlights the work of student artists and musicians who participated in the June 2018 faculty-led program at the Burren College of Art in Ballyvaughan, Ireland.

Current scholarship on medieval stained-glass windows has allowed us to appreciate more fully how they were engaged in the devotional life of the buildings they illuminate. But rose windows, which are the very large circular apertures on the terminal arms of Gothic structures, have not been included in these analyses. The conservation currently taking place at Chartres Cathedral allows us to consider rose windows with new eyes, and grasp their materiality, legibility for their medieval beholders, and meaning within the larger glazing cycle.