Dr. J will share her Fugitive Action Framework as a lens for moving beyond “mythical hope”--empty promises of true change--and developing critical, tangible hope to support the building of essential new futures.
The Tens, highlights selected work from students who received the Friends of Art Purchase Prize from 2011-2020. These pieces are part of the Wheaton College Permanent Collection and range from photography to film to illustration.
Join Families for Justice as Healing on Thursday, February 10 at 6PM on ZOOM to learn why we need a Jail and Prison Construction Moratorium passed AND how we can […]
Wheaton's music department is delighted to welcome scholar and journalist William Robin (UMD College Park). His talk is titled "“Minimalism Is History Now”: Bang on a Can and Minimalism in the Late Twentieth Century". Professor Robin is a regular contributor to the New York Times, and his most recent book Industry is now available from Oxford University Press. Robin's research explores how institutions structure the creation, dissemination, and reception of contemporary classical music in the United States. His research interests also include early American hymnody, Stravinsky, and the European postwar avant-garde.
Please join the Center for Religious and Spiritual Life with special guest Lori Gans, for a Wheaton community reflection on the legacy of the Holocaust and what it means for an institution of teaching and learning.
The Center for Social Justice and Community Impact, in partnership with Safe Zone at Wheaton, invites you to join Hugh Nini and Neal Treadwell, authors of the book "LOVING: A Photographic History of Men in Love, 1850s-1950s" in a discussion and Q&A-style program.
The Tens, highlights selected work from students who received the Friends of Art Purchase Prize from 2011-2020. These pieces are part of the Wheaton College Permanent Collection and range from photography to film to illustration.
The exhibition title is borrowed from Angela Davis’s 2015 book and is focused on prison abolition. The work in the show centers on the perspectives of people who have been or are currently incarcerated.
The exhibition title is borrowed from Angela Davis’s 2015 book and is focused on prison abolition. The work in the show centers on the perspectives of people who have been or are currently incarcerated.
The exhibition title is borrowed from Angela Davis’s 2015 book and is focused on prison abolition. The work in the show centers on the perspectives of people who have been or are currently incarcerated.
