The Tens, highlights selected work from students who received the Friends of Art Purchase Prize from 2011-2020. These pieces are part of the Wheaton College Permanent Collection and range from photography to film to illustration.
The Tens, highlights selected work from students who received the Friends of Art Purchase Prize from 2011-2020. These pieces are part of the Wheaton College Permanent Collection and range from photography to film to illustration.
The Tens, highlights selected work from students who received the Friends of Art Purchase Prize from 2011-2020. These pieces are part of the Wheaton College Permanent Collection and range from photography to film to illustration.
The Tens, highlights selected work from students who received the Friends of Art Purchase Prize from 2011-2020. These pieces are part of the Wheaton College Permanent Collection and range from photography to film to illustration.
The Tens, highlights selected work from students who received the Friends of Art Purchase Prize from 2011-2020. These pieces are part of the Wheaton College Permanent Collection and range from photography to film to illustration.
Wheaton's music department is delighted to welcome scholar and journalist William Robin (UMD College Park). His talk is titled "“Minimalism Is History Now”: Bang on a Can and Minimalism in the Late Twentieth Century". Professor Robin is a regular contributor to the New York Times, and his most recent book Industry is now available from Oxford University Press. Robin's research explores how institutions structure the creation, dissemination, and reception of contemporary classical music in the United States. His research interests also include early American hymnody, Stravinsky, and the European postwar avant-garde.
The Tens, highlights selected work from students who received the Friends of Art Purchase Prize from 2011-2020. These pieces are part of the Wheaton College Permanent Collection and range from photography to film to illustration.
The exhibition title is borrowed from Angela Davis’s 2015 book and is focused on prison abolition. The work in the show centers on the perspectives of people who have been or are currently incarcerated.
The exhibition title is borrowed from Angela Davis’s 2015 book and is focused on prison abolition. The work in the show centers on the perspectives of people who have been or are currently incarcerated.
The exhibition title is borrowed from Angela Davis’s 2015 book and is focused on prison abolition. The work in the show centers on the perspectives of people who have been or are currently incarcerated.