Brush Coat Cover, juried by contemporary art dealer Cade Tompkins, is the fourth biennial at Wheaton. The 2019 exhibition focuses on work that challenges, explores, and celebrates the definition and history of painting, collectively evoking an open-ended conversation on the medium.
“After twenty-eight years of desire and determination, I have visited Africa, the land of my forefathers.” So wrote Lida Clanton Broner, an African-American resident of Newark, New Jersey, on her return from a South African journey, funded by savings from a lifetime of work as a domestic and hairstylist. Broner’s trip was motivated by a sense of ancestral heritage, but also her anti-colonialist activism. Her collection was subsequently exhibited in the US in the 1940s, against the broader backdrop of pan-Africanist ideology and the emerging civil rights movement. Dr. Clarke will share her groundbreaking research on Broner’s extraordinary story, which animates the experiences of both South Africans and African Americans during a time of struggle and oppression.
Brush Coat Cover, juried by contemporary art dealer Cade Tompkins, is the fourth biennial at Wheaton. The 2019 exhibition focuses on work that challenges, explores, and celebrates the definition and history of painting, collectively evoking an open-ended conversation on the medium.
Brush Coat Cover, juried by contemporary art dealer Cade Tompkins, is the fourth biennial at Wheaton. The 2019 exhibition focuses on work that challenges, explores, and celebrates the definition and history of painting, collectively evoking an open-ended conversation on the medium.
Brush Coat Cover, juried by contemporary art dealer Cade Tompkins, is the fourth biennial at Wheaton. The 2019 exhibition focuses on work that challenges, explores, and celebrates the definition and history of painting, collectively evoking an open-ended conversation on the medium.
Brush Coat Cover, juried by contemporary art dealer Cade Tompkins, is the fourth biennial at Wheaton. The 2019 exhibition focuses on work that challenges, explores, and celebrates the definition and history of painting, collectively evoking an open-ended conversation on the medium.
Professor Lorgia García-Peña and filmmaker Medhin Paolos will visit us from Harvard University where they have been working on a digital archive of immigrant stories. Come hear about this exciting initiative.
Brush Coat Cover, juried by contemporary art dealer Cade Tompkins, is the fourth biennial at Wheaton. The 2019 exhibition focuses on work that challenges, explores, and celebrates the definition and history of painting, collectively evoking an open-ended conversation on the medium.
Lauren Henderson ’09 returns to Wheaton with jazz interpretations and original music. Henderson blends her Latin, Caribbean and African heritage to create a unique vocal approach, backed by NYC-based musicians Damian Sim, Michael Thurber and Allan Mednard. A former member of Wheaton’s Jazz Band and Voices United to Jam, she returns to campus from touring the US, Germany, Russia, Italy, Spain and Mexico. We welcome her back to celebrate her musical successes at home and abroad.
Brush Coat Cover, juried by contemporary art dealer Cade Tompkins, is the fourth biennial at Wheaton. The 2019 exhibition focuses on work that challenges, explores, and celebrates the definition and history of painting, collectively evoking an open-ended conversation on the medium.
