Please join us for the opening of our latest gallery exhibition, Ctrl+Delete.
The exhibition explores the persistent threat of censorship in the United States, from historical book bans used to control knowledge and suppress marginalized voices to today’s escalating restrictions—including the removal of books and art from public spaces as well as the June Supreme Court decision (Mahmoud v. Taylor) requiring schools to provide opportunities to opt out of listening learning about books that include LGBTQ+ characters. By tracing these acts of erasure across time, the show reveals how censorship has shaped, and continues to shape, what stories are told and who gets to tell them.
Alongside overt bans and challenges, the exhibition also addresses the quieter but equally insidious forces of self-censorship within art and educational institutions, where fear of controversy, loss of funding, or political pressure can limit which narratives are made visible. Central to the exhibition is the Ultra Violet Archive, an interactive library which resists silencing by preserving cultural memory and amplifying suppressed voices. Projects like the Minecraft Uncensored Library—a digital platform where banned texts are freely accessible—demonstrate how artists, activists, and technologists are developing inventive strategies to fight suppression.
As part of the exhibition, we will hold a community reading of Frederick Douglass’s work during National Banned Books Week in October. The exhibition also features a dedicated space where visitors can share their own experiences with censorship creating an archive that underscores the ongoing relevance of these struggles. Opportunities to engage will create a space for shared reflection, underscoring the enduring power of words to inspire freedom, dialogue, and change.
Gallery Hours: Tuesday, Wednesday, Friday, Saturday 1:00 p.m. – 5:00 p.m., Thursdays 1:00 p.m.—8:00 p.m.
Please note: the galleries will be closed November 26-December 1 for Thanksgiving break.
Ctrl+Delete explores the persistent threat of censorship in the United States, from historical book bans used to control knowledge and suppress marginalized voices to today’s escalating restrictions—including the removal of books and art from public spaces as well as the June Supreme Court decision (Mahmoud v. Taylor) requiring schools to provide opportunities to opt out of listening learning about books that include LGBTQ+ characters. By tracing these acts of erasure across time, the show reveals how censorship has shaped, and continues to shape, what stories are told and who gets to tell them.
Alongside overt bans and challenges, the exhibition also addresses the quieter but equally insidious forces of self-censorship within art and educational institutions, where fear of controversy, loss of funding, or political pressure can limit which narratives are made visible. Central to the exhibition is the Ultra Violet Archive, an interactive library which resists silencing by preserving cultural memory and amplifying suppressed voices. Projects like the Minecraft Uncensored Library—a digital platform where banned texts are freely accessible—demonstrate how artists, activists, and technologists are developing inventive strategies to fight suppression.
As part of the exhibition, we will hold a community reading of Frederick Douglass’s work during National Banned Books Week in October. The exhibition also features a dedicated space where visitors can share their own experiences with censorship creating an archive that underscores the ongoing relevance of these struggles. Opportunities to engage will create a space for shared reflection, underscoring the enduring power of words to inspire freedom, dialogue, and change.
Gallery Hours: Tuesday, Wednesday, Friday, Saturday 1:00 p.m. – 5:00 p.m., Thursdays 1:00 p.m.—8:00 p.m.
Please note: the galleries will be closed November 26-December 1 for Thanksgiving break.
Book & Lyrics by Greg Kotis, Music & Lyrics by Mark Hollman.
Winner of three Tony Awards and two Obie Awards, Urinetown is a hilarious musical satire of the legal system, capitalism, social irresponsibility, populism, environmental collapse, privatization of natural resources, bureaucracy, municipal politics, and musical theatre itself! In a Gotham-like city, a terrible water shortage, caused by a 20-year drought has led to a government-enforced ban on private toilets.The citizens must use public amenities, regulated by a single malevolent company that profits by charging admission for one of humanity’s most basic needs. Amid the people, a hero decides that he’s had enough and plans a revolution to lead them all to freedom! Hilariously funny and touchingly honest, Urinetown provides a fresh perspective on one of America’s greatest art forms.
Tickets may be purchased online through the Box Office once they become availalbe.
The ensemble performs under the direction of Artistic Director Andrea Taylor.
A link to the Box Office for purchasing tickets will be added once tickets are available.
A curated selection of student work is showcased in this end-of-semester screening.
Comprised of Wheaton students, faculty, and members of the public, the GWSO presents a concert of orchestral works drawn from multiple eras.
Suggested contribution $5.
Join us for an evening of Soca and Calypso music. Jason ‘Panman’ Roseman has been sharing his inherited expertise with us, bringing to the ensemble his distinctive arrangements and original compositions composed in the irrepressible styles of Trinidad and Tobago. You are invited to come and lime with the band, the music, and the extraordinarily brilliant and innovative instruments of Trinidad.
The band, under the direction of Diamond Centofanti, Assistant Professor in Music in Performance, performs a mix of American music ranging from jazz to rhythm and blues to rock.
Original fine-minute plays—written, directed, and performed by Wheaton students—are showcased in our biannual festival.
The faculty members in the Department of Music perform as part of the Faculty and Friends Music Series.