Poets and co-hosts of the podcast The Ritter read from their work, discuss their decision to enroll the podcast in a VC Accelerator, and how they’ve been translating their academic training into a marketable foundation for running their podcast.  A brief Q&A session will be included in this event. 

Please note: the location for this event has been moved to the Holman Room

Seniors graduating with a degree in creative writing and literature showcase original works of poetry, fiction and dramatic writing.

Finnegan Shannon is a multidisciplinary artist whose work experiments with access and ableist assumptions. At Wheaton this semester, they will explore Alt text as poetry in an ongoing collaborative project with students. After the artist’s talk, Beard and Weil Galleries will be open for students to talk to Finnegan and hear more about joining the project.

Presented by the Evelyn Danzig Haas ’39 Visiting Artists Program.

Diana Khoi Nguyen is a first-generation Vietnamese-American poet whose book, Ghost Of, is an elegy for her brother, and she explores the difficulties felt by parents from this culture.  A brief Q&A will follow this evening event.

Graduating seniors from the Creative Writing program read from their original work. The program features all genres. Join us in congratulating these students on their outstanding writing.

 

 

Please note: Wheaton College requires masking for at all events, regardless of vaccination status. Seating is limited.

Poetry-based art movements have functioned as an important locus of community organizing and political discourse across both Puerto Rico and the U.S. since at least the 1930s. In this interactive workshop, scholar-activist-poet Dr. Melinda González will perform poems, facilitate a poetry writing workshop, and discuss the role of poetry spaces in disaster recovery in the aftermath of Hurricane Maria across the Puerto Rican diaspora.
This workshop is sponsored by the Evelyn Danzig Haas ’39 Visiting Artists Program, the Marshall Center for Intercultural Learning, WorldFest, and the Departments of English and Anthropology. 

Graduating seniors from the Creative Writing program read from their original work. The program features all genres. Join us in congratulating these students on their outstanding writing. Via Zoom, registration required.

Register Here.

Olga Livshin will discuss how culture, translation, history, current events and her own biography intermingle in her 2019 book of poems, A Life Replaced, which reflects on the experience of living as an immigrant under the Trump administration and with Putin’s war on Ukraine looming. Raised in Odessa and Moscow, Livshin writes witness poetry about xenophobia, war, and strongmen at the helm on both sides of the world. The book braids original poetry in English with translations from Anna Akhmatova, the great poet of 20th-century Russia, and Vladimir Gandelsman, fellow immigrant and winner of the Moscow Reckoning, Russia’s highest prize for poetry. Livshin’s poems, translations, and essays appear in The Kenyon Review and Poetry International, and are widely published. She holds a PhD in Slavic Languages and Literature, and taught at the university level for a number of years before focusing on writing and translation.

Please join us in the May Room for a reception immediately following the lecture.
Sponsored by the Davis Center for Russian and Eurasian Studies, Harvard University and by the Russian Department at Wheaton College.

Tommy “Teebs” Pico describes himself as a poet (he guesses), a screenwriter (or whatever), a co-host of a dumb podcast for jerks, and begrudgingly as a performer. His books, IRL, Nature Poem, Junk and Feed have received numerous accolades including the Kate Tufts Discovery Award, a Lambda Literary Award, an American Book Award and the prestigious Whiting Award.

Wheaton alumna Sandra Yannone’s poetry amplifies the split-second when the everyday turns into catastrophe; the moment of impact when knowing and unknowing collide; the fusion of before and after. And the aftermaths. All constellate here in Yannone’s first full-length collection, Boats for Women, to orient us toward that “choice/to turn toward a sacred face, a turn/toward your own longing to live.”