The film adaptation of Lost on a Mountain in Maine, produced by Sylvester Stallone and set for cinema release in 2024, is based on the inspiring true story of a child surviving the wilderness. Andrew Knightlinger, (a writer/director who was born and raised in Madagascar, and then later South Dakota), will discuss the process of making the film, as well as his experiences navigating the entertainment industry. In addition to Lost on a Mountain in Maine he has written/directed the prairie-set character study Tater Tot & Patton now streaming on all platforms. He is also the recipient of the Slamdance Film Festival Grand Prize for Screenwriting.
Futurist Bruce Sterling will critically examine the past, present, and future state of Artificial Intelligence. “AI is not entrepreneurial in spirit, it is not exciting, cutting edge start up innovation. AI is big tech oligarchy.”
Bruce Sterling is a writer, journalist, design philosopher and futurist. He has written a dozen science fiction novels and many short stories for which he earned several Hugo awards and other prizes. As a writer, as well as an editor of anthologies like MIT Technology Review’s Twelve Tomorrows, Bruce has been playing a main role in shaping the genre of cyberpunk.
Vincent Warne, (writer, artist, and current Managing Editor of the Millennium Film Journal whose work concerns the history and future of film and the moving image), gives an introduction to Vilém Flusser, and thoughts on AI art. More than any other medium, AI text-to-image synthesis lays bare the truth that all art is really curation. An artist absorbs influences from the world—from experiences, memories, other artworks—and synthesizes them into a new form via a medium. AI images work in the same way.
Location TBD.
Rowan West Haber is an aesthetically minded Writer/Director. An MFA graduate of NYU’s Tisch School of the Arts, they were a Sundance Momentum Fellow, a Sundance New Frontier Lab, and an Art of Practice Fellow. They were selected for the Universal Pictures Directing Lab, AFI’s Directing Workshop for Women, Film Independent’s Episodic Lab and Project Involve, Outfest’s Screenwriting Lab, and were a shadowing director on FX’s Pose. They were featured on The Alice Initiative’s 2018 list of directors ready to helm studio films, Indiewire’s 8 Best Trans Directors Working Today, and have been a fellow at Yaddo, MacDowell, and UCross Artist Residencies.
They won a Webby, New Orleans Film Festival, and LA Film Festival awards and were nominated for a GLAAD award for their series, New Deep South. Their series Braddock, PA (Topic) gained critical attention from The New York Times and The New Yorker. They directed Stonewall Forever for Stink Studios as well as Celestial for Tribeca Studios x Bulgari, and have done commercial work for Mercedes, Pepsi, Spotify, Facebook and Apretude to name a few.
Recently, they directed the finale for the FX x Killer Films Gotham and GLAAD Award-nominated series Pride. They are currently directing a feature documentary EPed by Lauren Greenfield and produced by Caryn Capotosto entitled We Are Pat about the 90s SNL cult figure It’s Pat. They are also attached to direct Amasia Entertainment’s (Green Hornet, Them That Follow) trans coming of age film, Handsome and their film Shell.ai, which is a modern feminist horror retelling of the Frankenstein story from the perspective of a female technologist, is being produced by Seaview (Slave Play, Reality). They are also attached to direct the feature adaptation of Brontez Purnell’s award-winning novel Since I Laid My Burden Down, which is being adapted to screen by Savannah Knoop and just won the 2021 SFFILM Rainin Grant. They were an advisor for Sundance’s first Trans Possibilities Lab and are currently a Sundance Humanities Sustainability Fellow. They are a member of the collective of artists, scientists and technologists called Talk to Me About Water.
They speak Spanish and Portuguese, and when they aren’t doing creative work, they are definitely on a mountain somewhere.
WEBSITES
Rowan Haber / Personal
https://www.rowanhaber.com/
Talk to Me About Water
https://www.talktomeaboutwater.com/
Poets and co-hosts of the podcast The Ritter read from their work, discuss their decision to enroll the podcast in a VC Accelerator, and how they’ve been translating their academic training into a marketable foundation for running their podcast. A brief Q&A session will be included in this event.
Join us as we explore the wide wide world of graphic design and its relationship to other design disciplines.
Doug Scott’s design work has won awards from the American Institute of Graphic Arts, Society of Typographic Arts, Boston Hatch Awards, New York Art Directors Club, Boston Art Directors Club, Broadcast Designers Association and Bookbuilders of Boston. He has been a member of the American Institute of Graphic Arts since 1974 and served on its national board of directors from 1989–1992. He currently runs a design practice doing book and identity design, and is consulting Art Director of Davis Publications, an art education publisher in Worcester, Massachusetts. Scott teaches graphic design, exhibition design, typography and graphic design history at the RISD and teaches graphic design and design history at the Yale School of Art. He has also taught at UMASS/Dartmouth, Northeastern, RIC and Connecticut College.
We have boxes of brightly colored pencils, marking pens, hex codes, and seasonal fashions. All of these give us access to color. But could it be that we are not seeing the whole picture in the color choices that are offered to us? The way many of us identify individual colors actually closes us off from the protean nature of color and from our abilities to interact with our color vision. Color is not a thing; it is a relationship between. In this talk, artist Rosy Lamb shares her research into color as a responsive language we all can learn to speak by listening, and by attending to what our eyes see all around us. Her reserach includes a prototype of a digital tool she is developing, which allows users to intuitively build relational colors using a similar methodology to pigment mixing.
Artist Eileen de Rosas (MassArt MFA ’22) presents an artist talk discussing her recent Public Art at Wheaton (PAAW) project Into the Woods, sited in the Beard Courtyard of the Mars Science Center. De Rosas will also share work from her artistic practice more broadly.
Visiting Artist Ted Reichman will discuss his work scoring films, including his most recent work for the critically lauded documentary “Missing In Brooks County,” hailed as “one of the most nuanced and disturbing…films about the immigration crisis.” by the Boston Globe.
Join the event via Zoom here.
Mourning in the abandoned industrial landscape, holding space in the detritus of capitalism: how can we turn symbols of death into the practice of life? Public Art at Wheaton (PAAW) invites you to hear from the artist behind its most recent addition. Zibby Jahns will introduce their work Reckoning Place, which was just installed in Everett Courtyard, and talk about their artistic practice.