Wheaton’s music department is delighted to welcome scholar and journalist William Robin (UMD College Park). His talk is titled ““Minimalism Is History Now”: Bang on a Can and Minimalism in the Late Twentieth Century”. Professor Robin is a regular contributor to the New York Times, and his most recent book Industry is now available from Oxford University Press. Robin’s research explores how institutions structure the creation, dissemination, and reception of contemporary classical music in the United States. His research interests also include early American hymnody, Stravinsky, and the European postwar avant-garde.

Via Zoom, no registration required.

A curated selection of student work from Production I, Introduction to Animation and Production II will be showcased in this end-of-semester screening.

The students enrolled in Western Music I: Medieval, Renaissance, and Baroque, perform musical works from the historical periods they have studied this semester, including compositions by Marin Marais, Henry Purcell, Couperin, Scarlatti, Handel, and Bach.
Please note: Wheaton College requires masking for at all events, regardless of vaccination status. Guests will be required to complete a registration form for contract tracing upon arrival. Seating at this event is limited.

The band, under the direction of Assistant Professor Jeffrey Cashen perform music written by Miles Davis, Cedar Walton and Rita Payes, and arranged for the band Cashen. Bethany Tetreault ’23 will premiere a new arrangement for voice. Special guests The Phat Police will open with selections chosen and arranged by the ensemble.

Please note: Wheaton College requires masking for at all events, regardless of vaccination status. Guests will be required to complete a registration form for contract tracing upon arrival.

Poetry-based art movements have functioned as an important locus of community organizing and political discourse across both Puerto Rico and the U.S. since at least the 1930s. In this interactive workshop, scholar-activist-poet Dr. Melinda González will perform poems, facilitate a poetry writing workshop, and discuss the role of poetry spaces in disaster recovery in the aftermath of Hurricane Maria across the Puerto Rican diaspora.
This workshop is sponsored by the Evelyn Danzig Haas ’39 Visiting Artists Program, the Marshall Center for Intercultural Learning, WorldFest, and the Departments of English and Anthropology. 

Come check out what arts@wheaton is all about, including how you can get involved. There will be live performances, music, tie-dye, paper flower making, screen printing and more. Oh yeah, and food trucks! 

Internationally known organist Peter Krasinski demonstrates improvisational accompaniment to the silent film Metropolis on Wheaton’s magnificent Casavant organ.  Don’t miss this rare opportunity to view Fritz Lang’s dystopian masterpiece and Mr. Krasinski’s live performance—which promises to be as close as one could get to one from the 1920’s.

Please note: This event is open to the on-campus Wheaton Community only.

Join us for some sweet treats to celebrate the end of the semester! Providence-based dessert truck Sarcastic Sweets will be on campus with cupcake and cookie options. Participants must pre-register up for a time slot, have a green status in Co-Verified and have their event pass scanned. This event is open to the on-campus Wheaton community only.

Sign up here.

Join us for a conversation with artists Jessica Fuquay, Kara Güt, and jazsalyn from the 2021 Wheaton Biennial, an open-call exhibition focused on new media and juried by author and curator, Legacy Russell. Presented virtually, this exhibition includes artists whose work challenges and celebrates new media. As with past Biennials, our definition is boundary-pushing and inclusive, seeking a diverse range of experimental work, collectively evoking an open-ended conversation.

Register Here.

Jessica Fuquay is a Colombian American interdisciplinary artist, composer, and DJ currently based in Pittsburgh, PA. She makes videos, performances, and sound compositions that activate the embedded histories of specific sites and events through sustained observation, listening, and sometimes intervention. She is currently a second-year MFA Candidate at Carnegie Mellon School of Art in Pittsburgh, PA and has participated in residencies at the Skowhegan School of Painting and Sculpture in Madison, ME and Project Row Houses in Houston, TX.

Kara Güt‘s work investigates the new shape of human intimacy formed by internet lifestyle, constructed detachment from reality, and the power dynamics of the virtual. Using image and screen-based media, she questions ownership of digital spaces and how they mirror or perpetuate oppressive systems. The resulting pieces are subversions of power: at times manifesting as imperfect relics attempting to perform a hidden and ineffable magic, or long-form video essays haunting the devices they inhabit. Employing tropes of absurdist humor mixed with existential dread, her work pokes at the underpinnings of internet culture by appropriating the subgenres of the post-digital patriarchal industrial complex.

jazsalyn (she/her), work begins where fiction and reality collide. As an anti-disciplinary artist, she weaves together new media and activism as methodology to decolonize and re-indigenize the future of art, design, and social practices.

As the Creative Director of black beyond, a radical platform for artists and activists to define alternate realities for Blackness, jazsalyn collaborates with BIPOC and non-BIPOC co-liberators to reconstruct, reclaim and reimagine Black (Indigineous) narratives.

Her work has been featured in publications such as CULTURED Magazine, Vogue.com, The New Yorker, and Huffington Post. Exhibitions and panels such as TEDx Durham and Textiles as a Second Skin at MoogFest.

 

The 2021 Wheaton Biennial is an open-call exhibition focused on new media and juried by author and curator, Legacy Russell. Presented virtually, this exhibition includes artists whose work challenges and celebrates new media. As with past Biennials, our definition is boundary-pushing and inclusive, seeking a diverse range of experimental work, collectively evoking an open-ended conversation.

Virtual Exhibition