February 18–April 14, 2022
The exhibition title is borrowed from Angela Davis’s 2015 book and is focused on prison abolition. The work in the show centers on the perspectives of people who have been or are currently incarcerated. Each of the exhibited projects allows us to see the impact the carceral system has on individuals, offering the viewer a chance to reevaluate their perspective on the dehumanizing and harmful effects of incarceration. But each of these projects also offers solutions in the form of information, actions, ways to connect, and alternatives to incarceration.
Ultimately, through the drawings, video performances, photography, writing, and gardens, the exhibition encourages visitors to ask “What would a future without prisons look like? What would it take to get there?”
Masks are required in the galleries regardless of vaccination status.
Gallery hours:
Tuesday, Wednesday, Friday, & Saturday 1-5:00 p.m.
Thursdays 1-8:00 p.m.
February 18–April 14, 2022
The exhibition title is borrowed from Angela Davis’s 2015 book and is focused on prison abolition. The work in the show centers on the perspectives of people who have been or are currently incarcerated. Each of the exhibited projects allows us to see the impact the carceral system has on individuals, offering the viewer a chance to reevaluate their perspective on the dehumanizing and harmful effects of incarceration. But each of these projects also offers solutions in the form of information, actions, ways to connect, and alternatives to incarceration.
Ultimately, through the drawings, video performances, photography, writing, and gardens, the exhibition encourages visitors to ask “What would a future without prisons look like? What would it take to get there?”
Masks are required in the galleries regardless of vaccination status.
Gallery hours:
Tuesday, Wednesday, Friday, & Saturday 1-5:00 p.m.
Thursdays 1-8:00 p.m.
February 18–April 14, 2022
The exhibition title is borrowed from Angela Davis’s 2015 book and is focused on prison abolition. The work in the show centers on the perspectives of people who have been or are currently incarcerated. Each of the exhibited projects allows us to see the impact the carceral system has on individuals, offering the viewer a chance to reevaluate their perspective on the dehumanizing and harmful effects of incarceration. But each of these projects also offers solutions in the form of information, actions, ways to connect, and alternatives to incarceration.
Ultimately, through the drawings, video performances, photography, writing, and gardens, the exhibition encourages visitors to ask “What would a future without prisons look like? What would it take to get there?”
Masks are required in the galleries regardless of vaccination status.
Gallery hours:
Tuesday, Wednesday, Friday, & Saturday 1-5:00 p.m.
Thursdays 1-8:00 p.m.
February 18–April 14, 2022
The exhibition title is borrowed from Angela Davis’s 2015 book and is focused on prison abolition. The work in the show centers on the perspectives of people who have been or are currently incarcerated. Each of the exhibited projects allows us to see the impact the carceral system has on individuals, offering the viewer a chance to reevaluate their perspective on the dehumanizing and harmful effects of incarceration. But each of these projects also offers solutions in the form of information, actions, ways to connect, and alternatives to incarceration.
Ultimately, through the drawings, video performances, photography, writing, and gardens, the exhibition encourages visitors to ask “What would a future without prisons look like? What would it take to get there?”
Masks are required in the galleries regardless of vaccination status.
Gallery hours:
Tuesday, Wednesday, Friday, & Saturday 1-5:00 p.m.
Thursdays 1-8:00 p.m.
February 18–April 14, 2022
The exhibition title is borrowed from Angela Davis’s 2015 book and is focused on prison abolition. The work in the show centers on the perspectives of people who have been or are currently incarcerated. Each of the exhibited projects allows us to see the impact the carceral system has on individuals, offering the viewer a chance to reevaluate their perspective on the dehumanizing and harmful effects of incarceration. But each of these projects also offers solutions in the form of information, actions, ways to connect, and alternatives to incarceration.
Ultimately, through the drawings, video performances, photography, writing, and gardens, the exhibition encourages visitors to ask “What would a future without prisons look like? What would it take to get there?”
Masks are required in the galleries regardless of vaccination status.
Gallery hours:
Tuesday, Wednesday, Friday, & Saturday 1-5:00 p.m.
Thursdays 1-8:00 p.m.
February 18–April 14, 2022
The exhibition title is borrowed from Angela Davis’s 2015 book and is focused on prison abolition. The work in the show centers on the perspectives of people who have been or are currently incarcerated. Each of the exhibited projects allows us to see the impact the carceral system has on individuals, offering the viewer a chance to reevaluate their perspective on the dehumanizing and harmful effects of incarceration. But each of these projects also offers solutions in the form of information, actions, ways to connect, and alternatives to incarceration.
Ultimately, through the drawings, video performances, photography, writing, and gardens, the exhibition encourages visitors to ask “What would a future without prisons look like? What would it take to get there?”
Masks are required in the galleries regardless of vaccination status.
Gallery hours:
Tuesday, Wednesday, Friday, & Saturday 1-5:00 p.m.
Thursdays 1-8:00 p.m.
February 18–April 14, 2022
The exhibition title is borrowed from Angela Davis’s 2015 book and is focused on prison abolition. The work in the show centers on the perspectives of people who have been or are currently incarcerated. Each of the exhibited projects allows us to see the impact the carceral system has on individuals, offering the viewer a chance to reevaluate their perspective on the dehumanizing and harmful effects of incarceration. But each of these projects also offers solutions in the form of information, actions, ways to connect, and alternatives to incarceration.
Ultimately, through the drawings, video performances, photography, writing, and gardens, the exhibition encourages visitors to ask “What would a future without prisons look like? What would it take to get there?”
Masks are required in the galleries regardless of vaccination status.
Gallery hours:
Tuesday, Wednesday, Friday, & Saturday 1-5:00 p.m.
Thursdays 1-8:00 p.m.
February 18–April 14, 2022
The exhibition title is borrowed from Angela Davis’s 2015 book and is focused on prison abolition. The work in the show centers on the perspectives of people who have been or are currently incarcerated. Each of the exhibited projects allows us to see the impact the carceral system has on individuals, offering the viewer a chance to reevaluate their perspective on the dehumanizing and harmful effects of incarceration. But each of these projects also offers solutions in the form of information, actions, ways to connect, and alternatives to incarceration.
Ultimately, through the drawings, video performances, photography, writing, and gardens, the exhibition encourages visitors to ask “What would a future without prisons look like? What would it take to get there?”
Masks are required in the galleries regardless of vaccination status.
Gallery hours:
Tuesday, Wednesday, Friday, & Saturday 1-5:00 p.m.
Thursdays 1-8:00 p.m.
Wheaton’s music department is delighted to welcome scholar and journalist William Robin (UMD College Park). His talk is titled ““Minimalism Is History Now”: Bang on a Can and Minimalism in the Late Twentieth Century”. Professor Robin is a regular contributor to the New York Times, and his most recent book Industry is now available from Oxford University Press. Robin’s research explores how institutions structure the creation, dissemination, and reception of contemporary classical music in the United States. His research interests also include early American hymnody, Stravinsky, and the European postwar avant-garde.
Via Zoom, no registration required.
A curated selection of student work from Production I, Introduction to Animation and Production II will be showcased in this end-of-semester screening.