Angie Mazakis’s first book, I Was Waiting to See What You Would Do First, describes the various experiences of a first-generation immigrant. Her work has been widely published, including in The New Republic and Boston Review.
Patrisse Cullors is an internationally recognized artist, activist, and advocate for civil rights and social justice. In 2013, she and two fellow organizers—Alicia Garza and Opal Tometi— created what they described as a “Black-centered political will and movement building project.” They called it #BlackLivesMatter. Although many people know it only as a social media hashtag, it is far more than that. Cullors will discuss the art and activism behind, beyond and of the BLM hashtag, and take questions from moderators and attendees.
Felia K. Davenport, associate professor of theatre at the University of Missouri–St. Louis, presents her documentary short film Through the Native Lens, addressing personal identity and its intersection with social identity, cultural appropriation and community.
Composer and pianist Courtney Bryan discusses her recent works, including "Yet Unheard," a work for orchestra and chorus which commemorates Sandra Bland's tragic death in police custody in 2013. Bryan, a New Orleans native, is Assistant Professor of Music at Tulane, and has been the recipient of numerous awards including the Herb Alpert Award in the Arts and the Samuel Barber Rome Prize in Music Composition.
Ebony Williams ’08 believes the link, the thread, the piece of yarn, that connects her life work is her belief in process. While it’s common that human beings spend much of our time focused on the problem and the solution to obstacles that arise from living, the middle part, the journey we go through to reach our desired end point is where we learn the most. It is where we are presented with the most opportunities to grow and experience our humanity, but it is also where we spend the least amount of time reflecting. In this talk Williams’ discusses the focus of her work, creating opportunities for individuals to indulge in the luxury of their process in order to heal.
Join us on Thursdays during Postcards from the Pandemic for virtual Q&As, conversations and reflection with exhibition participants.
Multimedia writer and performance artist James Scruggs engages in conversation with Playwright-in-Residence Charlotte Meehan about his critically acclaimed performance work, Disposable Men. He speaks from research, observation, and experience about the "weaponized Black male body" via current events and the long U.S. history of killing unarmed Black men. This event includes Scruggs sharing images of his performance, reading from his work, and a Q&A.
Interdisciplinary, multihyphenate artist Nafis White, kicks off her virtual artist residency with a discussion of her work in performance, collaborative community-assisted interventions, as well as her sculptural works created from objects commonly found in Black beauty supply stores. White has recently activated the city of Providence through her mural work, uniting a printmaking collective to respond to police brutality, voter suppression, Covid-19 and other local and global crises. During her residency White will engage Wheaton students in timely conversation as well as the production of an artwork on campus.
Contemporary artist Elliott Jerome Brown, Jr. discusses his photographic installations and architectural and sculptural pieces. Brown’s work consists of compositionally obscured faces that heighten the interior landscape of the individual and the domestic spaces they inhabit. He has been featured in New York Magazine, Vice, Teen Vogue, Dazed, and more.
California-based comic artist Yumi Sakugawa talks about her creative practice and leads a meditation workshop on making friends with creative failure and surrendering to imperfection. This event is part of Spring into Wellness week and is sponsored by the Master Class in the Visual Arts Fund, given by a Wheaton alumna within the Evelyn Danzig Haas '39 Visiting Artists Program.
