Brush Coat Cover, juried by contemporary art dealer Cade Tompkins, is the fourth biennial at Wheaton. The 2019 exhibition focuses on work that challenges, explores, and celebrates the definition and history of painting, collectively evoking an open-ended conversation on the medium.

Brush Coat Cover, juried by contemporary art dealer Cade Tompkins, is the fourth biennial at Wheaton. The 2019 exhibition focuses on work that challenges, explores, and celebrates the definition and history of painting, collectively evoking an open-ended conversation on the medium.

Brush Coat Cover, juried by contemporary art dealer Cade Tompkins, is the fourth biennial at Wheaton. The 2019 exhibition focuses on work that challenges, explores, and celebrates the definition and history of painting, collectively evoking an open-ended conversation on the medium.

Brush Coat Cover, juried by contemporary art dealer Cade Tompkins, is the fourth biennial at Wheaton. The 2019 exhibition focuses on work that challenges, explores, and celebrates the definition and history of painting, collectively evoking an open-ended conversation on the medium.

Associate Professor of Music Leslie Amper presents a solo piano recital of classical works, including Beethoven, Sonata opus 31, No. 2 (Tempest), Schumann, Fantasy Pieces and Debussy, Estampes.

Brush Coat Cover, juried by contemporary art dealer Cade Tompkins, is the fourth biennial at Wheaton. The 2019 exhibition focuses on work that challenges, explores, and celebrates the definition and history of painting, collectively evoking an open-ended conversation on the medium.

“After twenty-eight years of desire and determination, I have visited Africa, the land of my forefathers.” So wrote Lida Clanton Broner, an African-American resident of Newark, New Jersey, on her return from a South African journey, funded by savings from a lifetime of work as a domestic and hairstylist. Broner’s trip was motivated by a sense of ancestral heritage, but also her anti-colonialist activism. Her collection was subsequently exhibited in the US in the 1940s, against the broader backdrop of pan-Africanist ideology and the emerging civil rights movement. Dr. Clarke will share her groundbreaking research on Broner’s extraordinary story, which animates the experiences of both South Africans and African Americans during a time of struggle and oppression.

Brush Coat Cover, juried by contemporary art dealer Cade Tompkins, is the fourth biennial at Wheaton. The 2019 exhibition focuses on work that challenges, explores, and celebrates the definition and history of painting, collectively evoking an open-ended conversation on the medium.

Brush Coat Cover, juried by contemporary art dealer Cade Tompkins, is the fourth biennial at Wheaton. The 2019 exhibition focuses on work that challenges, explores, and celebrates the definition and history of painting, collectively evoking an open-ended conversation on the medium.