UX Practice & Designing Software that Enables Sustainable Building
UX strategist, designer and author Deborah A. Levinson graduated with a degree in Creative Writing and she will share her professional journey to UX. She will discuss what a work day looks like and how she helps one long-term client design software for architects and builders to select and specify the use of green building materials. A brief Q&A session will be included in this event. Light snacks will be provided during the presentation.
Join us for an evening-length live concert featuring John Hollenbeck, Sarah Rossy, Anna Webber, and Chiquita Magic as they combine experimental jazz, ambient electronics, synth pop music and more.
Join us as we explore the wide wide world of graphic design and its relationship to other design disciplines.
Doug Scott’s design work has won awards from the American Institute of Graphic Arts, Society of Typographic Arts, Boston Hatch Awards, New York Art Directors Club, Boston Art Directors Club, Broadcast Designers Association and Bookbuilders of Boston. He has been a member of the American Institute of Graphic Arts since 1974 and served on its national board of directors from 1989–1992. He currently runs a design practice doing book and identity design, and is consulting Art Director of Davis Publications, an art education publisher in Worcester, Massachusetts. Scott teaches graphic design, exhibition design, typography and graphic design history at the RISD and teaches graphic design and design history at the Yale School of Art. He has also taught at UMASS/Dartmouth, Northeastern, RIC and Connecticut College.
Combining a mix of performance and conversation, Dr. Samantha Ege animates the soundworlds and stories of the women who inspire her research. Dr. Ege is a leading interpreter and scholar of the African-American composer Florence B. Price. Dr. Ege’s publications and performances shed an important light on composers from underrepresented backgrounds. In 2023, she won the Society for American Music’s Irving Lowens Article Award for Chicago, the ‘City We Love to Call Home!’: Intersectionality, Narrativity, and Locale in the Music of Florence Beatrice Price and Theodora Sturkow Ryder (American Music journal). Dr. Ege’s first book South Side Impresarios: How Race Women Transformed Chicago’s Classical Music Scene will be published with the University of Illinois Press in autumn 2024.
Free tickets via the Box Office.
Grammy-nominated Berklee Indian Ensemble (BIE) is a world-renowned collective known for its global Indian sound that honors regional South Asian musical traditions while boldly experimenting with a cross
pollination of genres, cultures, and multidisciplinary art forms from around the world. A diverse 8-piece ensemble that was born at the Berklee College of Music, the brilliant musicians of BIE provide an evening of
expansive, integrated musical explorations.
Free tickets via the Box Office.
Fragile Vessels—Contemporary Ceramics and the Body
Please join us for our opening reception. Works by artists Felix Gonzalez-Torres, Miguel Enrique Lastra, Rob Raphael, Maedah Tafvizi Zavareh, and objects selected by the artists’ from the Wheaton College Permanent Collection are featured.
Join us for an evening of Baroque music for the viola da gamba with Wheaton alumni, internationally renowned gambist Laura Jeppesen ’68 and emerging artist Thomas Conrad ’22, and Associate Professor of Music and Performance Zarina Irkaeva.
February 18–April 14, 2022
The exhibition title is borrowed from Angela Davis’s 2015 book and is focused on prison abolition. The work in the show centers on the perspectives of people who have been or are currently incarcerated. Each of the exhibited projects allows us to see the impact the carceral system has on individuals, offering the viewer a chance to reevaluate their perspective on the dehumanizing and harmful effects of incarceration. But each of these projects also offers solutions in the form of information, actions, ways to connect, and alternatives to incarceration.
Ultimately, through the drawings, video performances, photography, writing, and gardens, the exhibition encourages visitors to ask “What would a future without prisons look like? What would it take to get there?”
Masks are required in the galleries regardless of vaccination status.
Gallery hours:
Tuesday, Wednesday, Friday, & Saturday 1-5:00 p.m.
Thursdays 1-8:00 p.m.
February 18–April 14, 2022
The exhibition title is borrowed from Angela Davis’s 2015 book and is focused on prison abolition. The work in the show centers on the perspectives of people who have been or are currently incarcerated. Each of the exhibited projects allows us to see the impact the carceral system has on individuals, offering the viewer a chance to reevaluate their perspective on the dehumanizing and harmful effects of incarceration. But each of these projects also offers solutions in the form of information, actions, ways to connect, and alternatives to incarceration.
Ultimately, through the drawings, video performances, photography, writing, and gardens, the exhibition encourages visitors to ask “What would a future without prisons look like? What would it take to get there?”
Masks are required in the galleries regardless of vaccination status.
Gallery hours:
Tuesday, Wednesday, Friday, & Saturday 1-5:00 p.m.
Thursdays 1-8:00 p.m.
February 18–April 14, 2022
The exhibition title is borrowed from Angela Davis’s 2015 book and is focused on prison abolition. The work in the show centers on the perspectives of people who have been or are currently incarcerated. Each of the exhibited projects allows us to see the impact the carceral system has on individuals, offering the viewer a chance to reevaluate their perspective on the dehumanizing and harmful effects of incarceration. But each of these projects also offers solutions in the form of information, actions, ways to connect, and alternatives to incarceration.
Ultimately, through the drawings, video performances, photography, writing, and gardens, the exhibition encourages visitors to ask “What would a future without prisons look like? What would it take to get there?”
Masks are required in the galleries regardless of vaccination status.
Gallery hours:
Tuesday, Wednesday, Friday, & Saturday 1-5:00 p.m.
Thursdays 1-8:00 p.m.