Ken Aptekar: Look Again. 2012. 16 pages, including color plates. Exhibition curated by Michele L’Heureux.
Dorothea Rockburne: Astronomy Drawings. 2009. 23 pages, including 12 color plates. Exhibition curated by Ann H. Murray. Preface by David Cohen, Gallery Director, New York Studio School. © 2009 Beard and Weil Galleries, Wheaton College, Black Mountain College Museum & Arts Center, and New York Studio School of Drawing, Painting and Sculpture.
Making it Modern: Wheaton College and the International Style. 2009. 64 pages, including color illustrations. With essays by Wheaton students. Exhibition curated by ARTH 398: Exhibition Design Seminar, spring 2009. Edited by R. Tripp Evans. Catalog design by Ross Culliton, Class of 2009. © 2009 Wheaton College, Norton, Massachusetts.
Hugh Townley: The Wizard with Wood. 2008. 48 pages, including color plates. Preface by Ann H. Murray; with essays by Judith Wechsler and Eugenia Robbins and with contributions from Cynthia King.
Correspondences: Contemporary Art from the Colección Patricia Phelps de Cisneros. 2008. 104 pages, including color plates. Catalogue entries by Wheaton students. © 2008 Fundación Cisneros, © 2008 Wheaton College.
Piensa en Arte: An International Education Program of the Colección Patricia Phelps de Cisneros Includes lessons conceived of and written by students in the Education, Mathematics and Computer Science Departments at Wheaton. Their work was guided by Wheaton faculty and Colección Patricia Phelps de Cisneros educators.
Robert S. Neuman Selected Works: 1954-2007. 2007. 36 pages, including 25 color plates. Preface by Ann H. Murray. Catalogue © Wheaton College. All works © Robert Neuman.
Phyllis Berman: Paintings and Drawings 1996-2006. 2006. 32 pages, including 13 color plates. Preface by Ann H. Murray. © 2006 Phyllis Berman
The Realist Impulse: Painting and Sculpture from the Wheaton College Collection 1830-1940. 2005. 132 pages, including 58 color plates. Edited by Ann H. Murray, curated by the Senior Art History Seminar Fall 2004.
Wolf Kahn and Emily Mason: An Inaugural Exhibition celebrating the opening of the Beard and Weil Art Galleries. 2002. 24 pages, including 18 color plates. Introduction by Ann H. Murray.
Candace Jans: Paintings. 2000. 4 pages. Essays by Ann H. Murray and John Charles Smith, English Department, Milton Academy.
The Art of the Print: Selections from the Wheaton College Collection, 2000. 141 pages, including 65 plates. Edited by Evelyn S. Lane, Assistant Professor of Art History, catalogue by students in senior art history seminar.
Remnants: Ancient Forests and City Trees 1999. 7 pages. Essays by Ann H. Murray and Gene E. Likens, Director, Institute of Ecosystem Studies, Millbrook, N.Y. © 1999 Prilla Smith Brackett
An American Composer Looks at Egypt: Ruth Lynda Deyo and the Diadem of Stars 1999. 32 pages. Essays by Ann Sears (Professor of Music), Zephorine Stickney (Archivist and Curator of Special Collections), Kelly Dann (Class of 2000) and Ann H. Murray.
The Cape Split Cycle: Katherine Kadish, Monotypes; Sue Standing Poems 1998. 32 pages, juxtaposed poems and color images. Essays by Eileen B. Mott, Virginia Museum of Fine Arts and Ed Colker, Provost, Pratt Institute, and artists’ statement. ©1998 Katherine Kadish and Sue Standing
Office of the Dead: Topographic Wall Sculpture and Other Works by Harriet Feigenbaum 1997.
14 pages. Co-authored by Ann H. Murray and Jocelyn Leary, Class of 1999.
The Art of Drawing: Selections from the Wheaton College Collection 1997. 95 pages, including 32 plates. Edited by Roberta J. M. Olson, Professor of Art History, catalogue by students in senior art history seminar.
Meryl Brater: The Form of Language 1994. 6 pages. Essay by Susan L. Stoops, Curator, Rose Art Museum, Brandeis University.
Generations: An Exhibition in Honor of Vaino Kola and his Students, 1969-1993. Portfolio design. 50 pages including 24 color plates.
Fiber and Feathers: Native Baskets of North America and Featherwork of South America 1993. 20 pages. Catalogue by Elizabeth Zarur, Assistant Professor of Art History; essays by Christine Condit ’93, Jonathan Hoover ’94, Kyra Jacobs ’93, and Amy Greenaway Peabody ’94.
Vaughn Grylls: White Man’s Tales 1994. 17 pages. Beard & Weil Galleries and Natal Society of Arts, Durban, South Africa. Essay by Ann H. Murrray. © Vaughn Grylls
Candace Jans: Paintings from New England Collections 1981-1991 1992 6 pages. Essay by Ann H. Murray.
Spirituality in Contemporary Art by Women 1990. 22 pages, black and white illustrations. Catalogue by Walter Smith, Acting Director, Beard & Weil Galleries.
Dime Store Deco 1988. 17 pages, no illustrations. Essay by Ann H. Murray.
Carolee Thea 1986. 9 pages. Introduction by John Yau.
150 Years at Wheaton 1985. 47 pages. Catalogue by Zephorine L. Stickney, Archivist, and Sandra C. Davidson, Acting Director, Beard & Weil Galleries.
A Sesquicentennial Salute: Selected Works from the Wheaton College Permanent Collection 1984. 59 pages, black and white illustrations. Catalogue by Sandra C. Davidson, Acting Director, Beard & Weil Galleries and Morag Murray, Assistant Curator
Water Works: Monotypes by Katherine Kadish, Poetry by Sue Standing, 1984. 21 pages, juxtaposed poems and black and white images. Artist’s statement by Katherine Kadish.
Sandi Slone: A Retrospective Exhibition 1972-1981 1981. 29 pages. Essay by Susan A. Denker; interview with Sandi Slone by Karl Belz, Rose Art Museum, Brandeis University.
Eleanor Norcross, Amy Cross, Edith Loring Getchell 1980. 36 pages, black and white illustrations. Co-authored essay by Ann H. Murray and Sandra C. Davidson.
Nineteenth Century Prints: A Selection from the Wheaton College Collection 1979. 35 pages, black and white illustrations. Edited by Ann H. Murray, catalogue by students in art history seminar.
Process of Perfection 1976. 54 pages. Edited by Ann H. Murray, catalogue by students in art history seminar.
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