Art and Art History 298. Experimental Courses
Architectures of Islam
This course is a survey of histories of the built environment in the Islamic world from 7th century until the present. Our main objective is to gain a foundational understanding of core questions at the heart of this intellectual journey: What is Islam? Why do we describe architecture or cities as “Islamic”? Is all Islamic architecture necessarily religious? What factors have shaped formal and informal built environments in contemporary Islamic countries and communities?
In the first part of the course, we will examine the origins of Islam on the Arabian Peninsula. Next we will trace the spread of Islam and the monumental religious and secular architecture produced during periods of Islamic rule that stretched from Persia to the Iberian Peninsula. Finally, the course will conclude with modern perspectives of the social, economic and cultural factors shaping the built environment in relationship to Islamic identities during periods of nation building and globalization in the Middle East and South Asia.
Global Modernisms: 1848-1914
This course will focus on the influential period in time that introduced the concepts of Modern Art and modernism to the world. After defining modernity, Modern Art, and modernism, we will study how the aesthetic ideas of originality, formal innovation, and individuality that are the major characteristics of modernism are related to the deep-seated societal changes and values that defined modernity: the rise to power of the middle classes, secularism, faith in “progress,” and the rise of capitalism as a primary social and economic structure. The major themes of the class will include the concept of the avant-garde, urbanization, industrialization, colonialism and imperialism, and the functions of the artist in society. Artworks from around the world will be examined to show the various ways that global cultures adopted and challenged the tenets of modernism and Modern Art.
History of Photography: 1900-today
This course surveys the development of photography from 1900 to the present by exploring the work of major artists/practitioners, movements, theories, and institutions. We will explore technological and aesthetic shifts in photography while considering the medium’s relationship to key social, political, and cultural contexts. Topics covered include photography’s changing relationship to artistic practice, the rise of photojournalism and photographic reportage, documentary projects, postmodern practices, and digital photography, among others. Students will gain an understanding for how to approach photographs through visual analysis, research, and critical thinking.
Cities of the Middle East
Chaotic souqs, monumental mosques, exotic natives, and labyrinthine streets: this image of the timeless medina, or Arab City, has been a source of fascination in western visual cultures for centuries. In this course, we will flip the script on orientalist narratives of urban life in the Middle East to better understand the political, social, economic, and cultural histories that have shaped representations and transformations of modern urban space and urban life in the region. Throughout the semester we will combine critical readings and case studies from art, architecture, urban planning, and film to examine a range of cities.
We will travel from colonial urbanism in Algiers, modernist planning in Kuwait City, and gentrification in Jaffa, to “star-chitect” ambitions for Abu Dhabi, military occupation in Baghdad, and urban uprisings in Cairo. The course is organized around four main themes: (1) the myth of the medina, (2) colonial urbanism, (3) manufacturing urban heritage, and (4) contesting urban space. Special attention will be paid to the visual representation of cities in the Middle East in order to develop critical observations of the role that art, media, and film play in shaping knowledge of the region.